{"id":4343,"date":"2024-09-14T14:42:39","date_gmt":"2024-09-14T12:42:39","guid":{"rendered":"https:\/\/sueyingkoang.com\/en\/?page_id=4343"},"modified":"2025-06-16T22:41:38","modified_gmt":"2025-06-16T20:41:38","slug":"roman-a-violino-solo","status":"publish","type":"page","link":"https:\/\/sueyingkoang.com\/en\/discog\/roman-a-violino-solo\/","title":{"rendered":"Johan Helmich Roman: A Violino Solo"},"content":{"rendered":"\n<p><em>Recorded in their world premiere, these pieces give us a glimpse of the vast repertoire for solo violin left by Johan Helmich Roman, the virtuoso violinist considered to be the father of Swedish music. Still little-known today, these works, full of originality and fantasy, take us to the heart of Baroque Sweden.<\/em><\/p>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/sueyingkoang.com\/en\/wp-content\/uploads\/sites\/2\/2025\/06\/IC038-Couv-600-Dis2.jpg\" alt=\"\" class=\"wp-image-4565\" srcset=\"https:\/\/sueyingkoang.com\/en\/wp-content\/uploads\/sites\/2\/2025\/06\/IC038-Couv-600-Dis2.jpg 600w, https:\/\/sueyingkoang.com\/en\/wp-content\/uploads\/sites\/2\/2025\/06\/IC038-Couv-600-Dis2-300x300.jpg 300w, https:\/\/sueyingkoang.com\/en\/wp-content\/uploads\/sites\/2\/2025\/06\/IC038-Couv-600-Dis2-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Details:<\/h3>\n\n\n\n<p>Year: 2024<\/p>\n\n\n\n<p>Label: Ind\u00e9SENS Calliope<\/p>\n\n\n\n<p>Duration: 1:07&#8242; &#8211; 19 tracks<\/p>\n\n\n\n<p>Composer: Johan Helmich Roman<\/p>\n\n\n\n<p>Artist: Sue-Ying Koang<\/p>\n\n\n\n<h6 class=\"wp-block-heading\"><a href=\"https:\/\/li.sten.to\/aviolinosolo\" target=\"_blank\" rel=\"noreferrer noopener\">Available on streaming platforms<\/a><\/h6>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u201cA revelation and a delight at every turn\u201d. <em>Diapason d&#8217;or<\/em><\/p>\n\n\n\n<p><strong>Lo\u00efc Chahine, <a href=\"https:\/\/www.diapasonmag.fr\/disque\/diapason-dor-pour-sue-ying-koang-49865.html\" target=\"_blank\" rel=\"noreferrer noopener\">Diapason n\u00b0736<\/a>, , Sept. 2024<\/strong><\/p>\n<\/blockquote>\n\n\n\n<hr class=\"wp-block-separator aligncenter has-alpha-channel-opacity\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u201cSue-Ying Koang&#8217;s interpretation is sumptuous, both free and extremely seductive, thanks to her dominating virtuosity and constantly renewed fantasy.\u201d <em>Joker Crescendo D\u00e9couverte<\/em><\/p>\n\n\n\n<p><strong>Jean-No\u00ebl R\u00e9gnier, <a href=\"https:\/\/www.crescendo-magazine.be\/oeuvres-pour-violon-solo-de-johnan-helmich-roman-interpretees-par-sue-ying-koang-une-decouverte-enthousiasmante\/\" target=\"_blank\" rel=\"noreferrer noopener\">Crescendo Magazine<\/a>, Nov. 1, 2024<\/strong><\/p>\n<\/blockquote>\n\n\n\n<hr class=\"wp-block-separator aligncenter has-alpha-channel-opacity\"\/>\n<\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u201cSue-Ying Koang elevates these works to the rank of the most successful in the genre, including Johann Sebastian Bach&#8217;s sonatas and partitas.\u201d<\/p>\n\n\n\n<p><strong>Jean-Marc Warszawski, <a href=\"https:\/\/www.musicologie.org\/24\/svernsk_barock_sue_ying_koang.html\" target=\"_blank\" rel=\"noreferrer noopener\">musicologie.org<\/a>, Sept. 9, 2024<\/strong><\/p>\n<\/blockquote>\n\n\n\n<hr class=\"wp-block-separator aligncenter has-alpha-channel-opacity\"\/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u201cWhatever the pages, Sue-Ying Koang is radiant.\u201c <em>Clef ResMusica<\/em><\/p>\n\n\n\n<p><strong>Jean-Marc Petit, <a href=\"https:\/\/www.resmusica.com\/2024\/10\/27\/sue-ying-koang-transcende-johan-helmich-roman-le-vivaldi-du-nord-indesens-calliope\/\" target=\"_blank\" rel=\"noreferrer noopener\">ResMusica<\/a>, Oct. 27, 2024<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n\n\n\n<hr class=\"wp-block-separator aligncenter has-css-opacity\"\/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u201cSue-Ying Koang skilfully ornaments the repeats and dexterously arpeggiates the chords.\u201d<\/p>\n\n\n\n<p><strong>J\u00e9r\u00e9mie Bigorie, Classica n\u00b0265, Sept. 2024<\/strong><\/p>\n<\/blockquote>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: A Violino Solo\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; 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