{"id":1983,"date":"2023-03-07T17:30:39","date_gmt":"2023-03-07T16:30:39","guid":{"rendered":"https:\/\/sueyingkoang.com\/?page_id=1983"},"modified":"2025-06-16T22:41:01","modified_gmt":"2025-06-16T20:41:01","slug":"dalla-biblioteca","status":"publish","type":"page","link":"https:\/\/sueyingkoang.com\/en\/discog\/dalla-biblioteca\/","title":{"rendered":"Dalla biblioteca di Vivaldi?"},"content":{"rendered":"\n<p>This album is devoted to a manuscript of anonymous sonatas for violin and basso continuo copied by J.G. Pisendel likely during his stay in Italy in 1716-1717 and more particularly in Venice where he met Vivaldi.<\/p>\n\n\n\n<p>The manuscript <a href=\"https:\/\/sueyingkoang.com\/wp-content\/uploads\/2023\/03\/Schreyfogel_5_vl_sons_32199180X.pdf\">Mus. 1-R-70<\/a> is kept in the S\u00e4chsische Landesbibliothek &#8211; Staats- und Universit\u00e4tsbibliothek in Dresden in the <a href=\"https:\/\/hofmusik.slub-dresden.de\/themen\/schrank-zwei\/\" target=\"_blank\" rel=\"noreferrer noopener\">Schrank II<\/a> collection, a collection largely assembled by Pisendel during his many years as head of instrumental music in the Saxon court orchestra.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/sueyingkoang.com\/en\/wp-content\/uploads\/sites\/2\/2025\/06\/CAL2192-Couv-600-dis.jpg\" alt=\"\" class=\"wp-image-4568\" srcset=\"https:\/\/sueyingkoang.com\/en\/wp-content\/uploads\/sites\/2\/2025\/06\/CAL2192-Couv-600-dis.jpg 600w, https:\/\/sueyingkoang.com\/en\/wp-content\/uploads\/sites\/2\/2025\/06\/CAL2192-Couv-600-dis-300x300.jpg 300w, https:\/\/sueyingkoang.com\/en\/wp-content\/uploads\/sites\/2\/2025\/06\/CAL2192-Couv-600-dis-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<p>Year: 2021<br>Label: Calliope<br>Duration: 55&#8217;17&#8221; &#8211; 28 tracks<\/p>\n\n\n\n<p>Composers: A. Vivaldi (?), J.F. Schreyvogel, J.D. Heinichen, Anonymous<\/p>\n\n\n\n<p>Artists:<br><a href=\"https:\/\/open.spotify.com\/artist\/72PCNo73WfBjJuAkaJDDxa\">Sue-Ying Koang<\/a>, violin<br><a href=\"https:\/\/www.qobuz.com\/fr-fr\/interpreter\/vincent-bernhardt\/274481\" target=\"_blank\" rel=\"noreferrer noopener\">Vincent Bernhardt<\/a>, harpsichord\/organ<br><a href=\"https:\/\/www.qobuz.com\/fr-fr\/album\/fiocco-lamentationes-hebdomadae-sanctae-ensemble-bonne-corde-and-diana-vinagre\/nsfak7w7e0mua\" target=\"_blank\" rel=\"noreferrer noopener\">Diana Vinagre<\/a>, cello<br>Parsival Castro, theorbo\/guitar<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u201cA delightful ornamental madness from the solo part (excellent Sue-Ying Koang!)\u201d<\/p>\n\n\n\n<p><strong>Roger-Claude Travers, Diapason n\u00b0 708 (in French), 02\/2022<\/strong><\/p>\n<\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u201cThe musicians in this production offer exciting confrontations and thus make the differences between the compositions extremely clear. Another characteristic is the seriousness of the interpretative intention. For this ensemble, it&#8217;s not a question of stripping away, or making shreds, but of making music in a vital, gestural and fulfilling way.\u201d<\/p>\n\n\n\n<p><strong>Norbert Tischer, <a href=\"https:\/\/www.pizzicato.lu\/aus-dem-umfeld-vivaldis\/\" target=\"_blank\" rel=\"noreferrer noopener\">Pizzicato<\/a> (in German), 02\/12\/2021<\/strong><\/p>\n<\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"http:\/\/li.sten.to\/dallabiblioteca\" target=\"_blank\" rel=\"noreferrer noopener\">Available on streaming platforms<\/a><\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Dalla biblioteca di Vivaldi?\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/5eUTvtfhvCcqDFDDB6Mmra?utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>This album is devoted to a manuscript of anonymous sonatas for violin and basso continuo copied by J.G. Pisendel likely during his stay in Italy in 1716-1717 and more particularly [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3598,"parent":1478,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"class_list":["post-1983","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/sueyingkoang.com\/en\/wp-json\/wp\/v2\/pages\/1983","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sueyingkoang.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sueyingkoang.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sueyingkoang.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/sueyingkoang.com\/en\/wp-json\/wp\/v2\/comments?post=1983"}],"version-history":[{"count":3,"href":"https:\/\/sueyingkoang.com\/en\/wp-json\/wp\/v2\/pages\/1983\/revisions"}],"predecessor-version":[{"id":4571,"href":"https:\/\/sueyingkoang.com\/en\/wp-json\/wp\/v2\/pages\/1983\/revisions\/4571"}],"up":[{"embeddable":true,"href":"https:\/\/sueyingkoang.com\/en\/wp-json\/wp\/v2\/pages\/1478"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sueyingkoang.com\/en\/wp-json\/wp\/v2\/media\/3598"}],"wp:attachment":[{"href":"https:\/\/sueyingkoang.com\/en\/wp-json\/wp\/v2\/media?parent=1983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}